An average sounding tape, but a pretty good, if not exceptional, concert.
Highlights include Torture, which is beginning to find its feet and become the tour
highlight. This band not only played well behind FZ's solos, but also played the vocal
part of this song better than any other, IMO. Terry is starting to get less angry and more
whiny in Tryin' to Grow a Chin, but it's not the irritation it would become tomorrow. Tiny
Lites is better than usual for this tour, with Frank's solo having a harder edge. This is
where I noticed that Terry's drumming was GREAT tonight, making many of the songs sound
more energetic.
Now that King Kong is in the lineup, the Pounds are more of a mini- monster, though
Tommy and Peter both turn in respectable efforts. Flakes is cut AGAIN, but we get most of
the jam this time, which is good as it's intense. It's so intense that the 1-2-3-4 guy
(Patrick? Terry? Ed?) forgets the number 3. ^_^
Speaking of King Kong...this is my favorite monster song, simply as it has both Ed and
Patrick's best solo vehicles every night. This night is no exception as Ed is doing weird
poly-rhythms, as well as leading the way into the meltdown portion (more musical and less
spoken at this point). Then Patrick gets to do his usual funky stuff, with heavy backup
from Terry. Marvellous.
Wild Love likewise is down to one solo, but this is now THE BELEW VEHICLE, and he makes
it his own, with a nice e-bow intro and guitar outro. The disco vamp is excellent as well.
There's some lovely echo effects towards the end (and not just because of the concert
hall). Then we get Yo Mama, still finding its feet but a nice effort, with Frank turning
in a shorter- than-usual solo mostly over the minimalist vamp that I call Part 1 of 3. (2
being the 'da-dah!' keyboard bit and 3 being the final jam vamp).
Standard encores, and Muffin Man is once again cut short. Still, good show, and the
band seemed very energetic. But wait till tomorrow night...
--SG
February 15th, 1978
This is probably the most famous concert of the tapes circulating on this tour, and
with good reason. It's an excellent sounding tape, A- and close to A. It's got the full
selection of frequently played 78 songs, all played very well. It's got some marvelous FZ
guitar, as can be heard of Sheik Yerbouti.
Details? OK. Starts off with nice, tight versions of Dancin' Fool and Peaches. Then
into The Torture Never Stops, with Rat Tomago, as heard on SY. This is a totally bitchin'
solo, and sounds even better on this tape than it does on the album. Highlight of the
first half.
Then comes what to me is a poor choice. Terry Bozzio decides to sing his signature
song, Tryin' to Grow a Chin, in a much whinier voice than usual, trailing his vocals up
after every line and losing the anger. The song loses a LOT of its power because of this,
and is hard for me to listen to, even if the guitar is nice 'n loud. We don't even get a
'Just as sure as my name is Terry Ted, Terry Ted' this time around. Feh.
Luckily, City of Tiny Lites is a stronger version than usual, with a heavy- metal
tinged Frank solo. Baby Snakes, likewise, is always welcome to hear, if only because this
is pretty much its only tour. As usual, the unions get superseded by the 'suck my pee pee
towards the end' acronym.
Pound for a Brown is its usual mimi-monstrous self, with nice Mars and Wolf solos,
heavily supported by O'Hearn's bass (nice and upfront in my tape). Tommy's solo is rather
short, so after Peter does his thing he comes back for a bit, before it all ends in a
meltdown crash.
I Have Been in You is quite funny tonight, mostly due to Adrian (Patrick?) coming in
late on the fuzztone guitar (bass?). FZ notices this and riffs on it for a bit ("You
can't expect a perfect show every time, it's just not in the cards"). This humor
continues all through the song, making it a bit more interesting than usual. Then...an
uncut Flakes! Yatta! And it's an excellent one, too, with a nice, long e-bow solo and an
ending Adrian/Frank jam.
Broken Hearts is Broken Hearts, so let's move on to King Kong, in a nice version (hey,
it's my favorite, cut me some slack). Ed's solo is nice, but you really can see what Jason
means when he talks about listening to the backup more in Mann solos. Patrick and Terry
are all over the place, blatantly trying to steal Ed's spotlight. The we get a bit of
secret word melange, before Patrick does a 'play a cool riff for 30 seconds, and then do
variations on it' solo.
Wild Love is rather short tonight, with just a nice Adrian solo to its name. Then comes
Yo Mama, which is still discovering itself. FZ ends up playing a long, stretched out solo,
ending up with a 3rd 'riff' that sounds a lot like the 'You Are What You Is' riff.
Titties 'n Beer has a cut in it that removes most of the middle monologue, and by this
point in the song's development that was the only real interesting bit. And Black Page #2
doesn't even try to get audience participation, FZ's contempt for his audience coming to
the fore a bit as he asks them to 'meditate' instead. That leaves Jones Crusher to try and
pump some energy back into the show.
Then the second highlight of the show (after Torture), Little House. Let's review.
Starts off with Tommy, and another calm, Hart School of Musicish solo that gets very epic
after a while, sounding like a film score. Then Tommy starts scatting, and things get
weirder. Then Peter gets a shorter solo, followed by a brief Tommy - Peter - Patrick -
Terry free-for-all. Tommy and Peter duel for a bit. Then it gets quiet, with occasional
synth licks, and then it's time for THE TANGO. Bitchin' version, with a MUCH better mix
than the version I know from Sheik Yerbouti (I have only heard the 95 remix, so...). It's
hard to describe why this version is so good. Everything just comes together.
Then we get the rest of the concert. Highlights include Frank teasing Adrian about
Bowie again during Bobby Brown and Terry's rolling thunder drum solo in Envelopes.
Dinah-Moe Humm actually proves to be interesting tonight, with Frank trying to goad the
audience into singing Ave Maria, and getting a few band members to join in. Muffin Man
closes things off with its usual late 70s loud rock solo.
If you were going to give a concert tape to someone to demonstrate a typical Winter 78
show, this would be the one I'd pick. Nice sound, a full 150 minute show, good versions of
the regular lineup, and enough humor and variation to keep in interesting. Another
must-have.
This is another one of the best shows of the tour. (Hey, cut me some slack, I only have
4 shows from this tour). The audience is great, and Frank knows it. "This is not
ABBA!" It sure ain't, though they mention ABBA so much tonight you might think it
was.
Dancin' Fool starts us off, sounding fresh on this tour as usual. It's odd hearing Your
Place or Mine in English after so many German shows. Peaches is its usual self, then we
get Torture. The solo is very relaxed and quite melodic, definitely a February flyer.
Cool.
Tryin' to Grow a Chin is the whiny version. Frank really ENUNCIATES his 'you're so big,
they're so tiny' lyrics in "City of Tiny Lites" - was he making a point? Frank
then takes a longer than usual solo that's quite aggressive. Baby Snakes is its usual
self.
Pound for a Brown is its usual self as well, though Peter also moves to piano for a
bit, and sounds a bit like his Fall 78 semi-composed solos for a bit. The tape cut in the
middle indicates this is a longer show than usual, always a good thing. And Patrick's
walking bassline kicks ass.
I Have Been in You is full of ABBA references, and Frank seems in a very good mood
through it. Both the intro and the spoken bridge are a bit longer than usual, though
because of the humor you don't mind. Then Flakes, with its wonderful e-bow solo from
Adrian. At one point Adrian, as Dylan, sings, "And if you do not PLAY, Ed..."
Frank quotes Land of a Thousand Dances during the ending chaos, foreshadowing Little House
later on. And can I say that I love the 1-2-3-4 break? I have already? Oh...
Broken Hearts, never my favorite song, makes it tonight due to Patrick making the band
crack up. Lots of ABBA refs, plus FZ and co. being unable to sing the bridge because of
O'Hearn's fills ('Trigger' seems to be the one that sets them off). "You're an ABBA,
and you're an ABBA!" The band screw up in coming back to the verse, but wtf, it's
still cool.
King Kong's next, and a nice one it is too. Terry keeps Ed hopping during his solo,
which has lots of trills. The secret word portion is built around a) gongs, and b) odd
mouth sounds, especially laughter. The laughter ends up becoming the secret word. ^_^ Then
Patrick starts his riff, and the audience REALLY loves it, and starts clapping along,
which makes it hard to start the variations. He ends up coming back to the funky theme
again later, and then he starts playing 'Fernando!' More secret words wrap things up.
"ABBA spelled backwards is ABBA spelled backwards is..." Overall, a great Kong
experience, threatening to descend into pure madness. Luckily, Ed's there to percussion us
into Wild Love, with an above-average Belew solo.
Yo Mama still features the YAWYI-ish riff towards the end, and is a bit shorter than
usual, though still just as fierce. Titties 'n Beer is the usual, with a few more ABBA
refs. Then we get what might be the ultimate audience participation. We get notes read by
Frank, we get clapping, we get this side sing In-A-Gadda-Da-Vida, this side sing
Stravinsky, this side sing Wagner. Then they play Black Page, and the audience actually
manages to clap all the way through it! A tribute to Gothenburg's stamina! Jones Crusher
is nice, with Belew sounding a little hoarse.
Then the biggie. The one you've been waiting for. Little House - damn, this is good.
Tommy's piano solo is full of arpeggios, and seems to be like fanfare at times. We get
some nice scat, then more piano, with lots of notes. The best Tommy solo I've heard in a
while, it's out there without being too far out. Eventually Terry comes in, and Tommy's
solo gets even weirder, moving into synths, more scat...then comes a great monologue chat
between Tommy and Patrick, out of nowhere, great, great, great! Seems to be
religion-related as well as the usual Sailor and Bowie refs. It's just madness ensuing on
stage. Then Peter gets a short solo, with his usual minimal accompaniment, quoting Would
You Like a Snack of all things. Then the tango...ah, the tango. FZ is not only right on
the money tonight, but leaves the tango rhythm to do surf music, then quotes Land of a
Thousand Dances for a second time, and then quotes Black Page #2. Then Thousand Dances
again, and Terry thinks it's Black Magic Woman and starts singing that, and then Frank
tries to sing Land of a Thousand Dances, and then Terry forgets the words to BMW, and
"You're still supposed to be singing In-A-Gadda-Da-Vida!" Amazing.
My tape ends here, so I don't know if Dinah-Moe Humm was the best Dinah- Moe Humm ever,
but I can only assume so. A truly magnificent concert. [One of these days I'll get
assigned a bad one, I promise. ^_^;;(Okay, I can take care of that- Fogz)]